Kane & Lynch: Dead Men

Exclusive: We get dead serious as IO Interactive's new shooter is blown wide open in our comprehensive reveal!

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In this case, Kane turns a corner and the dancefloor comes into view - and sweet mother of the baby Jesus, it's incredible. As far as IO are concerned, you can't have a convincing action scene in a realistic urban setting without hordes of screaming innocent people. And you can't have a club scene which contains two NPCs wobbling beneath a mirror ball. When you do a club scene, you need anything up to 800 or 1,000 beautifully rendered clubbers gyrating to hard, gritty music. It honestly looks like the scene from The Matrix Revolutions where the people of Zion discover they're all about to die and respond by having a massive sweaty slow-motion dance orgy. When you walk through them, they slow your progress - and when you start firing bullets into the crowd, then those in the 5ft radius around you who can hear the gunshot will start panicking, and the panic will gradually spread to all those present.


The technology already impressive in the Mardi Gras level of Hitman: Blood Money has truly come of age - compare this to when you jumped up and down next to two oddly animated Hong Kong clubbers surrounded by mirrors in Deus Ex and you realise just how far we've come in a very short amount of time.

The dastardly duo are here to see Yoko, the club's manager and old associate of Kane - but you're not here for smalltalk - you're here to smack her, tie her up and kidnap her. Lynch then carries her out and it's up to you, with limited ammo, to take out all the security men and bouncers and ramp up so much panic that a forlorn struggling Japanese lady being thrown around by a bearded madman is lost in the chaos.

And so, as the end of the page draws near, perhaps we should leave them to their own wicked devices: a mercenary traitor with everything to lose and an unhinged psychopath with everything to win - essentially some sort of evil middle-aged mirror-image of Ant and Dec. "They're not good guys in any conceivable way," underlines JP Kurup. "What they're doing is wrong, any means they take are never appropriate - but they do it anyway."

They say dead men tell no tales, or at least Pirates Of The Caribbean did, but this pair are about to tell an extremely good one. Just don't tell Michael Mann's lawyers - it'll be our little secret.

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