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Left 4 Dead

Steve Hogarty goes deep in zombie viscera to sample Valve's terrifying co-op shooter

You've got to raise at least one eyebrow when Valve's buddies at Turtle Rock Studios claim that with Left 4 Dead, they're out to beat Counter-Strike - but that's exactly what they're planning on doing. They're adamant that with their four-way zombie co-op survival horror extravaganza they can supersede the most widely played online shooter on the planet, and having flown to Valve, taken part in the undead slaughter and relished the sort of interdependent gameplay so rarely seen in PC games, I can say that Turtle Rock Studios have a good chance of doing just that.

With one foot on the back of Valve's tried-and-tested Source engine, and another on the head of Mike Booth, master bot AI designer who earned his stripes developing Counter-Strike's dead-eyed CPU foes, Turtle Rock are peeking over the wall of potential, and into the garden of wondrous, original co-op fun. Left 4 Dead is what they see.

ROLL CALL
I take my place in front of the playtesting PC with Valve writer (and Old Man Murray alumnus) Chet Faliszek by my side, as one of Left 4 Dead's four campaigns is loaded and players from throughout Valve's Bellevue offices begin to fill the server.

I am one of the four human survivors, a John Everyman business type who's found himself in the middle of a zombie virus outbreak without even a suit for comfort. To my left and right, stocking up on guns and ammo from a handy weapons cache on the rooftop we've started on, are the other survivors. There's a big biker-looking chap, a war veteran probably secretly loving the opportunity to shoot things, and a 'pick me to make people want to give you their med-packs' pretty rich girl who, at odds with her appearance, knows how to blast holes in zombie torsos. In practice, of course, they're all just different player models and voice-samples. The only real choice is in what you grab from the table of weapons.

To make a total player count of eight, four other players have spawned as four special zombies who live happily among the ravenous hordes. The Boomer, a fat flesh-balloon filled with explosive gases and zombie-attracting vomit. The Hunter, a quick and agile zombie who jumps out of dark corners. The Smoker, with his 50-foot prehensile tongue. And The Hulk, who is not unlike his greener namesake. As the survivors make their way through the level, it's these infected players who must stop them with their particular zombie powers. Helpfully, they've got infinite lives, so they won't be worried about being a tad gung-ho.

ALL OUTTA GUM
The weapons on offer aren't terribly interesting. I grab a pistol and a shotgun, rationalising that shotguns are always the best choice where zombies are concerned. A grenade slips into my inventory, and I forego the submachine gun and the molotovs. You could describe the available weapons as either mundane or classic, depending on your outlook, but they won't be the reason people play Left 4 Dead. The game is about co-operative teamplay - and not the sort of teamplay you find in Battlefield where it'd barely be noticed if you logged off to eat some bourbon biscuits, but the kind of teamplay in which everything you do directly affects your three compadres. It's precisely because the team is so small that this dependency on teamwork exists, and on every level of gameplay you're encouraged to help each other out.

Generously, my team-mates allow me to take the lead, as we make our way down through the apartment building. It's not long before I have my first encounter with the infected. The AI-controlled undead on show here are staggeringly well animated. They spill out of doorways in their droves, at times at least 20 of them on screen at once. They sprint down streets towards you at high speed, climbing over burnt-out cars, leaning into corners as they run - there's something terrifyingly purposeful about how they come at you.

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